| Lectures:
Symbolic Understanding in Infants and Young Children: Challenges
and Benefits, Feb 21st, free but must RSVP. Two psychologists
discuss the use, learning, and communications of symbols with infants
and young children, just as their brains are starting to develop
cognitive functions. * Also,
Suicidal Individuals: Evaluation, Therapies, and Ethics, Feb
28th, free but must RSVP. Testing on suicide-prone individuals
presents promise as well as a morass of ethical issues, so typically,
they're excluded from the test groups. Here are some thoughts
on how to approach testing of treatments on this vulnerable set.
* Also, The
Wisdom of your Face, Feb 21st, free. Level 1 face reading
is understanding how somebody looks and feels (duh) - that's the
sophomore level. Move up to level 2 face reading, revealing
how people think and feel. * Also,
Restoring America's Good Name Abroad, Feb 25th, free.
Ask foreigners what they think of America,
and they always admire our principals and detest our politics.
America needs a bit of its own public-relations management, so here's
one way to get the job done. * Also, Got
Art? Collectors Workshop, Feb 22nd, free but must RSVP. This
one is put on by Poncho, and usually these Poncho events are three-digit-dollar
affairs. Local experts provide advice on how to best part with your
art dollars.
Film:
Oscar Viewing Party at Spit
Fire, Feb 25th, by donation. It's the party thing to guess the
Oscars, celebrate a bit, and then drink and dine. These sorts
of events work best if you're really into it, or are with someone
else who is. Being a big TV watcher helps too.
Libations:
Boutique Winery
Showcase!, Feb 21st, $35. This area seems to sprout wineries
like poplar trees. Seems that every wine enthusiast with a
spare-money problem is becoming a gentleman wine producer.
So, here's the newest bunch, wineries 4-5 years old producing fewer
than 5,000 cases. * Also, on the flipside, Samuel
Smith Beer Tastings, Feb 21st, $1. If you're into that fancy
sipping bear, then meet with like-minded folks.
Folk
Arts:
Seattle Storytellers Guild, Feb 22nd, free. Here's a place to
lab-test your story before taking it to the party circuit, or listen
to somebody else's yarn and see what makes a good story. All
sorts of folks, and experience levels, show up at these events.
Performing
Arts:
Chita
Rivera - The Dancer's Life, starting Feb 28th, $22+. Actually,
not sure if a dancer's life is terribly interesting, but here, they
bring it up to show level using the biography of Chita Rivera.
* Also, United
States Air Force Band, Feb 21st, free. You can be sure
they're going to play the Stars
and Strips forever. * Also, Flute
and Piano recital, Feb 24th, free. Pablo Sepulveda and
Francoise Papillon perform the big ones from Bach, Schubert, Varese,
and Piazzolla. It's relaxing music for a Saturday afternoon,
and coincidentally, the concert is held on a Saturday afternoon.
Tournament:
Chess, Feb 19th, $25.
One thing about chess is there's no luck factor. A bad backgammon
player can beat a good one with favorable rolls. With chess,
it's all mental horsepower. You lose - your fault.
Event:
Your Handwriting Can Change Your Life, Feb 23rd, $15, We can
see handwriting maybe making a difference for writing out checks,
but not sure how much of a difference beyond this. Anyway,
according to these folks, your handwriting makes a major difference,
so here's how to improve upon it if your handwriting still looks
like a third-grader's. While you're down there, ask them why
female handwriting tends to be more elegant and loopy than a man's?
Vocation:
Driver's
Job Fair, Feb 24th, free. In theory, if you like sitting on
your ass all day, this should be a pretty good job. Of course,
then they need to move stuff all around the place, so the reality
probably has its share of back-busting work involved. 20+ year drivers
always retire with bad backs, too.
Gaming:
LAN Party, Feb 24-25th,
$25. If blowing up computer-generated aliens is getting a
little namby-pamby, then duke it out against RL (real life) opponents.
Bring your system and a game from their pool. This seems pretty
good in theory, but one picks up a vibe that this is going to be
on the same geek level as a Star Trek convention.
Organizations:
Nikkei Concerns, providing
elder care for folks. Their angle is honoring Japanese-Americans;
so of course, the ethnic makeup of the patients reflects this focus.
There are still probably some good WWII stories in this group.
|
Standing
Ovation Inflation
Lamenting like a grumpy old-timer on when standing ovations were
earned instead of some Pavlovian end-of-show response: why is it
just about every show here in Seattle ends with the audience applauding
on its feet? It used to be that standing ovations were the
exception. Now, by contemporary standing ovation counts, either
the shows have gotten consistently better, or we've gotten lax.
Are all of these shows really standing-ovation-worthy, or are we
Seattleites just a bunch of generous rubes willing to applaud for
anything they throw up on stage?

Seattle Opera: At Seattle Opera ticket prices, it better be
good, or so the theory goes. Yea, yea, wonderful has become
Seattle Opera de rigueur: the talent outstanding, the costumes gorgeous,
and the sets sumptuous. Yet, by the sixth call forward, you're
beginning to silently question, it wasn't that
wonderful, was it? Are we celebrating a grand show, or is
that the diva's ego stepping forward one more time?
Pacific
Northwest Ballet: Under Peter Boal's new reign, the PNB is becoming
more progressive and edgier, which is mostly good. Taking
new risks means some things work out and some don't, yet people
still give a standing ovation for everything, the hits as well as
the flops. The theory here is, apart from the performance,
the ballet can be so visually stunning, it's easy to admire these
talented performers in their rich costumes and be stirred to applause.
The Greater
Seattle Theater Community:
Perhaps this is the greatest culprit. There are lots of good
shows here in Seattle, but should you applaud on your feet for merely
good? One can be forgiven for yearning a bit for the rudeness
of a New
York
audience, where they don't give it up as easily unless it's really
earned.
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